The Owners are a professional couple with two young children. They asked for a four-bedroom house that would take advantage of its waterfront location, would provide an indoor/outdoor lifestyle, and would be filled with natural light. The design of this house includes all interior elements other than furnishings. The site resides in an older waterfront neighborhood that is undergoing the replacement of the original houses. Original grade sloped down six feet from the street/original house level to the top of the seawall. The new house is elevated an additional two feet to comply with current flood regulations.
Located amidst the rice fields of , the house welcomes all the elements of nature inside with open arms. The design borrows inspiration from traditional South Indian houses not as mere architectural elements but in the sense of warmth it provides. The large sloping roofs dictate splendour in the interior space and also shield the house from the harsh climates on the southern side. keeping the deck area of the pool cooler on sunny days. A reverse slope in the living area is provided to achieve a maximum view of the north garden.
Campus Symbiosis of ICS Milan International School is part of Area Symbiosis, the Covivio Business District in Porta Romana in Milan. The building has a very recognisable identity shape and is wrapped in a fluid system of curves that envelops the whole. The lot on which it stands is not large, so the project has compressed the volumes and spaces as much as possible, generating a "vertical school" in which interior spaces of double and triple heights and exterior spaces such as terraces and loggias follow one after the other, "climbing" the building. In defining the interior design and the outdoor spaces, Barreca & La Varra also involved current students of ICS Milan and students from Milan's high schools in workshops that led to stimulating contamination of design ideas, responding to the needs of the building's future users.
The Summer Shores initiative aims to create «three unusual stations», a temporary installation made of three surprising street furniture alongside the banks of the Vendée River, in , France. What does it mean to be «stationary» in public space? Can it lead us to look at our surroundings with a different eye, share a moment with strangers? VOUS’s answer comes in three different ways, 3 projects: the XL Oasis, the Net Pier, and the Supertable.
Located in Quilimar&ió, 25km from Los Vilos, a historic settlement in which there are cultural fragments that date back to the colony. The request consists of the design and construction of a summer house located on the slopes of the "puntiagudo" hill, on an irregular and difficult to access terrain, together with the arduous task to found local workers for the construction, defined the axes of the design. We think of the house from the maritime container, as a portable modular structure to be able to pre-assemble in a local workshop far from the destination, with the idea of shortcutting the construction process time in the final site. For this we used four high cube containers [12x2.35x2.7m], as it should be to their greater free height, three were sized in half to join longitudinally through the side faces to build a unique environment whose dimensions are around 70m². With them we assembled the lower floor, where the program was destined to the public area of the house, extended by means of a glazed facade towards the view of the valley and distant sea. Strongly oriented to the south, it was necessary to develop a linear skylight close to the north wall to provide sunlight to the interior.
In the Hugo de Groot quarter in , studio PROTOTYPE designed a renovation to merge two residential houses. The result is a special house with the features of a city villa. The house dates from the early 20th century, as part of a traditional closed block with an overwhelming green oasis as a courtyard.
The restoration and conversion of the sixteenth-century building, originally built by the military leader Mercurio Bua and used as his private house, located inside the ancient walls of and overlooking the monumental Temple of San Nicolò, was an opportunity to learn about and deepen the centenary history of this part of the city.
Architecture, by its very definition, involves the construction of structures. Structures that are meant to serve as spaces for work, living, religious devotion, amongst many other purposes. Architectural projects and interventions, however, need land – and it is this intrinsic relationship, between land and architecture, that has massive ramifications not only regarding reducing carbon emissions but more importantly in forming an equitable future rooted in climate justice.
Background. July-August 2018, “Xinglong Lake Bookstore Architectural Creative Design Competition” started to be open to the public entries. It was sponsored by Tianfu New Area Investment Group Co., Ltd. with China Southwest Architectural Design and Research Institute Co., Ltd. and co-sponsored by Yi Zhu Yi Shi Culture Communication Co., Ltd. There were 486 applications received. MUDA-Architects emerged as the winner of the competition among 20 finalists out of 249 candidates with design proposals.
This renovation project of the steel-structured old building is titled “FACTORESIDENSE”. The residence was built 45 years ago and is still located in Minato ward, , Aichi prefecture, Japan. Our project name “FACTORESIDENSE” is a coined word that combines FACTORY with RESIDENCE. This is because the programs we made are houses and ateliers of some creative offices. And the site is in a housing and industrial mixed area. We refer to materials and details making this area. So the interior we designed is similar to the environment. It is important for us to connect inside experience with local context and historical background.
Located inside a luxury resort and shopping center in Mie Prefecture, this café operated by rice-koji maker Uonuma Jozo offers amazake, a sweet fermented koji drink, and other koji products. The materials, colors, and forms of the café were inspired by the heat of koji fermentation and the traditional architecture of Uonuma, the company’s hometown in northern Japan, where snow can pile up over three meters high in winter.
Mannheim, a medium-sized city in southwestern Germany, is known for its grid-plan city layout, its baroque palace and its brutalist buildings – but also, and above all, for its ethnically and culturally diverse population. This diverse and colourful mix of people can be experienced, among other places, in Neckarstadt East and Neckarstadt West, two districts northwest of the city centre.
Edegem’s new timber community center strengthens the local community. A new regional hub for culture and leisure, Community Center and library forms the ‘Missing Link’ that strengthens the social fabric of the village. Built with environmental responsibility at its core, two pavilion-like volumes, built from cross-laminated timber, seamlessly connect to the heritage site and enhances the 19th-century garden as an oasis for reading and reflection. Designed with and for the community, the building features a flexible interior that adapts to their changing needs. The building reinvents the library for the digital age. By offering spaces not only to read offline, but also for digital media, all kind of courses and for community groups to rent meeting rooms. There’s also a book café and a staircase that acts like a small presentation space. The building is more than a place for books. It’s a place to meet, learn, relax and get inspired.
This is the story of architect Grant Gibson’s journey with a house in central Missouri. Originally designed with his mentor, Doug Garofalo, the owners have recently commissioned Grant to design an addition to their award-winning structure. The problem is the original house was designed to make it difficult to add anything at all, and Garofalo passed away shortly after the original house was constructed. Now, Grant, along with his practice CAMES Gibson, needs to design an addition to this house that defiantly resists alteration and to do it in a way that respects the original design while remaining consistent with his own beliefs and design ethos. The clients work closely with Grant to achieve this new design and find a solution to this very difficult problem.
In this first biography of the architect, Ian Volner conscientiously sums up the exhilarating and frustrating life and career of Michael Graves, who died in 2015 at the age of 80.